Ebook Free Theatre of Fear & Horror: Expanded Edition: The Grisly Spectacle of the Grand Guignol of Paris, 1897-1962, by Mel Gordon
Ebook Free Theatre of Fear & Horror: Expanded Edition: The Grisly Spectacle of the Grand Guignol of Paris, 1897-1962, by Mel Gordon
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Theatre of Fear & Horror: Expanded Edition: The Grisly Spectacle of the Grand Guignol of Paris, 1897-1962, by Mel Gordon
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Product details
Paperback: 220 pages
Publisher: Feral House; Second edition (August 9, 2016)
Language: English
ISBN-10: 1627310312
ISBN-13: 978-1627310314
Product Dimensions:
6.9 x 0.6 x 9.9 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#932,421 in Books (See Top 100 in Books)
Really good, but half of it is simply the plotlines of 100 plays. So it's not as in-depth as one might like, but I have no idea where anyone could find out more. I'm very happy to have it - it was a pivotal point in entertainment - the link between Grimm's tales and modern horror movies.RIP both the author and the publisher.
Third edition of the book has some great additions (I own and use the first two editions in my teaching), although I'm not sure the addition of "Orgy in the Lighthouse" improves the volume - the plays in the first two editions seemed like better choices. Having said that, this is a great, user-friendly introduction to the Grand Guignol and an excellence reference tool for the people, plays and history of that remarkable theatre.
For those who have heard of the Gran Guignol, opportunities for finding details are scarce. This book delivers such details. With amazing production stills, full plotlines and plays revealed and an incredibly detailed history, all curiosities have been answered. Give this tiny theatre's outsized influence on the culture of not only France, but all of Europe and the US, the history of the Gran Guignol should be better known. This book rectified that. I highly recommend!
heard about the Guinol for years and was wonderful to actually read some of the plays. wow, some of em are knockouts! I wish I could have seen Maxa. I'd have gone to see her every night, like Peter Lorre in 'Mad Love'!
There's a lot of filler here (original scripts, story outlines, etc.) and I have to say that the author does not go at enough length about the history of the GG to meet my taste. Still, it is a fascinating look at an unusual phenomenon.
Here's probably the only book on this subject and it's good too. If you like Sweeney Todd, this is where it all came from.
Mel Gordon’s The Theatre of Fear and Horror: The Grisly Spectacle of the Grand Guignol of Paris,1897-1962, updates the original version published in 1988. This new edition is replete with pages of color plates displaying old theater posters. A host of photos, sketches, and the cartoon as social commentary, add visual interest to a narrative that walks the reader through the history of the bizarre Parisian entertainment space.For novices who know little about the Grand Guignol, Gordon’s book is a superb primer. For stage and film historians, it is a must-have addition to their libraries.The author breaks the text into two major parts.The first is a brief chronological account of the theater beginning with its birth as an 18th century chapel. By 1897 the Grand Guignol found its place in the cultural landscape of Paris, albeit off the beaten track.As stage artist Maxa, who was known as the “High Priestess of the Temple of Horror,†explains, the Grand Guignol was “situated in a dark, narrow street . . . No one would suspect a theater in such a sordid, dingy neighborhood.â€Taking much of its material from the police blotter, gore, terror, and sex were served up nightly in short plays combined with a sprinkling of comedies to ease audience tension.The psychologist Alfred Binet was among a handful playwrights who found an audience at the Grand Guignol. Patrons ran the gamut of European royalty to a lesser sort whose fame was in progress. The pastry chef Ho Chi Minh and female erotic author Anais Nin were followers of the Guignol stage.The theater contributed to the early success of the horror films of German Expressionism, most notably The Cabinet of Dr. Caligari. But in time, Hollywood films like Dracula and Frankenstein were using the Grand Guignol formula, hastening changes that ate into its popularity, Gordon tells us.The second part of the book contains a brief autobiography of Paula Maxa that is a must read and two complete play scripts one which is co-authored by Binet. Also, Gordon gives the reader brief plot summaries of scores of plays performed in the theater’s sixty-five year history.Lastly, the book reprints an essay by playwright, Andre de Lorde, who is the co-author with Alfred Binet of "A Crime in the Madhouse," one of the two plays included in the book’s final pages.Overall, The Theatre of Fear and Horror is a concise history and a delightful collection of anecdotes. There is a downside, however. Gordon includes photos of people associated with the theater but does not identify them by name, leaving the reader to do some guesswork. Similarly there are many unidentified scenes that pique our interest but we have no way of knowing their connections to the plays in the text.Nevertheless, The Theatre of Fear and Horror is a smooth read that moves with a lively pace. I highly recommend it.
I like the macabre and theatrical history so it is no surprise that I would want to read a book about the Grand Guignol, the Paris theater noted for its frightening productions. Mel Gordon gives us a solid overview of the theater's 65 year history, the methods used for its special effects and a good collection of graphics. There are capsule descriptions of many plays and the full scripts of two of them. Also included is Grand Guignol playwright Andre de Lorde's commentary on fear and horror and an article by Maxa, one of the most popular performers of the company. I suspect the definitive history of the Grand Guignol has yet to be written, but Theatre of Fear and Horror will serve readers well in giving them an idea of what it was all about.
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